From the Deep South, an Overlooked Chapter in Art History

The Send Me SFMOMA program allows people to text a number with a request based on a variable such as a object, mood, or color and receive back an image of an appropriate work in the SFMOMA collection. Through this service, which SFMOMA has made open source for other museums to use, the museum is able to connect with the public and ‘display’ a much higher percentage of its holdings.

Through augmented reality (AR) effects, street artists have created surprising, novel experiences in museums and in public. Using an app, viewers can see murals in motion, art floating in the air, and new ‘additions’ to a museums holdings.

Environments designed with soundscapes and visual art help to reduce anxiety and pain. In London, Chelsea and Westminster Hospital has noted a marked improvement in patient experience, including decreased pain and even a reduction in the time women spent in labor, in the presence of artistic installations. Other hospitals in the UK report similar benefits.

Building community around storytelling preserves cultural heritage. Across Lebanon, individuals and institutions like the Lebanese Ministry of Culture and the Theatre Monnot in Beirut are working to preserve oral culture as a medium for storytelling. Initiatives, including the long-running International Storytelling Festival and Beirut’s Hakaya, bring together storytellers, known as hakawati and hakawatiye.

Public art adds value to communities that have experienced decline in recent decades. In towns like Mansfield and Marietta, Ohio, public art plays a positive role. Murals created by groups like Mansfield Murals Inc., or by other local artists, enhance public buildings and offer a way for residents to connect and express their history. In Marietta, the Marietta Community Foundation funds the city’s Public Arts Committee.

Although Indonesia is making efforts to improve disability rights, progress is slow. In the meantime, a group called Economic Empowerment for Entrepreneurs with Disability (EEED) was formed in partnership with the British Council’s DICE (Developing Inclusive Creative Economies) program. Participants in the program learn entrepreneurial skills by creating their own social enterprise, supplemented by lessons in things like marketing and management. This helps those in Indonesia with disabilities become socioeconomically independent and able to envision a develop a meaningful vision of the future.

For many jobs across the country, working from home is a fairly easy adaptation to cope with social distancing measures. But for many scientists who work in laboratories with ongoing research, a work from home solution does not quite fit. Labs and universities are finding ways to adapt and prioritize which experiments to put on hold.

In 1890, an anthropologist used an early audio recording device called a phonograph to record three spokesmen for the Passamaquoddy tribe singing songs, telling stories, and pronouncing simple words. After years of efforts to eradicate Native American culture and language, these recordings were found again and shared with modern-day members of the Passamaquoddy tribe, who now use it to transcribe, interpret, and add to their cultural knowledge. The songs and stories have already begun making their way back into tribal events.

P.ink, or Personal Ink, is a non-profit that curates a Pinterest page where women considering mastectomy tattoos can browse designs, find bios of vetted tattoo artists, and get help connecting with local artists. During Breast Cancer Awareness Month, the group hosts a mastectomy tattooing event called P.ink Day, where they also raise money to help survivors around the country pay for mastectomy tattoos. Using their mobile app, women can “try on” tattoos by overlaying the image onto a photograph or ordering a temporary tattoo of the image. For some women, covering scars with artwork helps emotional healing.

In the midst of a seemingly increasingly divided political and racial landscape, some artists of color are pushing back to create art that represents their own non-White communities. Some artists have chosen to do this by recreating Norman Rockwell’s paintings, which in the earlier part of his career mainly showcased White people. “The image haunted me because of the world we live in,” the artist said, referring to today’s divisive political climate. “I wanted to imagine what it would look like today.”